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home archive all articles videos interviews video interviews cyberart cybernetic serendipity cyberart about studio a brief history contributors yearbooks contacts alex mirutziu: ‘i’m interested in error, misunderstanding, correction’ the romanian artist talks about his latest exhibition, examining the life and work of iris murdoch, and discusses the biomechanics of writing, necrophilia and the novelist’s teddy bear royal academy of arts 250th summer exhibition grayson perry’s eclectic, irreverent approach in coordinating the 250th-anniversary exhibition plays to its strengths. with the works of hundreds of amateur artists alongside those of professionals and the royal academicians, it is a far more insightful and accurate reflection of the issues, opinions and talents operating under the banner of ‘art’ in contemporary britain. boo saville: interview boo saville’s fields of colour shimmer, each massive painting drawing you in and, once you are up close, their surfaces seem to conjure immersive spaces, as though the air has suddenly been coloured and there is space to fall in. such a physical and emotional impact is reminiscent of rothko’s chapel in houston, where his 14 black and coloured hue paintings cover the internal space. thomas cole: eden to empire a fresh look at the paintings of british émigré thomas cole reveals some eerily relevant messages for our current times. eve fowler: ‘stein’s work really affected me’ the artist talks about her latest exhibition, what a slight, what a sound, what a universal shudder, at dundee arts contemporary, and what has led her to engage so closely with stein’s work . james edgar and sam walker: ‘we think of assembly point as part of our collaborative practice’ james edgar and sam walker talk about assembly point, their co-founded gallery, studio space and publishing company, which they set up in 2015 in south london. eleanor pinfield: ‘london – and london underground - deserves to have the best artists in the world’ pinfield is head of art on the underground, which has commissioned work by cindy sherman, david shrigley and assemble, among others. she talks about this year’s lineup of female artists and the desire to bring art to millions of travellers. kerstin brätsch_ruine / kaya_kovo brätsch is an artist who works in the afterlife of modern painting, upending its history and mythology with rabelaisian glee – and her latest exhibition is no exception. callum innes: byzantine blue, delft blue, paris blue five of innes’ paintings form the inaugural exhibition for the ingleby gallery’s new space, an austere building formerly used for worship that has been beautifully refurbished. together, the art and architecture provide a fitting 20th-anniversary celebration for the gallery. eugène delacroix (1798-1863) a colossal retrospective at the louvre liberates the french romantic from his early history painting and reaffirms his lofty place in the pantheon. harriet middleton-baker: ‘i enjoy the potential for opera to be seriously extreme’ the artist talks about unpicking the story of william hogarth’s a harlot’s progress and using her latest opera to explore architectural form, power distribution and the ambivalence of feminism in a corporate climate. baldwin and guggisberg: ‘if you’re not in a white cube it forces you to take into consideration the reality that’s around you’ having just installed 10, mostly blown-glass pieces around canterbury cathedral for their exhibition under an equal sky, philip baldwin and monica guggisberg talk about these new works and the resonance between their historic setting and their chosen issues of migration, diversity and community. tweets by @studiolatest sadie laska: interview new york-based sadie laska, who is both a painter and a drummer, brings her improvisation skills into her wall-based works, using collage, small objects and brushed colour in flight. each work embraces the tactility of materials and the motion of thoughts and actions in the process of making. whitstable biennale 2018 surreal, witty and at times unsettling, whitstable biennale 2018 is full of surprises. katharina grosse: prototypes of imagination across 11 portrait canvases and one enormous fabric hanging, grosse’s complex, multilayered works appear as seemingly prehistoric scrawls, imbued with vital energy in a maelstrom of colours. junya ishigami: freeing architecture in his attempts to untether architecture from well-worn conventions, the japanese architect liberates the architectural expedition from its own stolid norms. vera molnár: ‘i have no regrets. my life is squares, triangles, lines’ the pioneer of computer-assisted art recounts her love affair with lines, the balancing of order and chaos, and preparing to be surprised. phyllida barlow: ‘it’s the first time i’ve experienced making something not within my control. letting go of that was horrifying’ as her first permanent artwork, quarry is unveiled at jupiter artland, outside edinburgh, barlow talks about its conception and creation, its location in the woods surrounding the house and gardens, and the ‘horrifying’ experience of ceding control to engineers and construction teams. contemporary chinese works on paper – a review a microcosm of chinese art and social change at ipswich art gallery – this group show of works on paper by contemporary artists from china draws on, plays with and subverts the canons of art history from both the east and the west. celia pym: ‘i didn’t ever see the point of invisible mending’ describing herself as ‘an artist who works in textiles’ pym talks about her recent surgery for mending at the v&a, why she mends old clothes and artefacts, and why she feels it is so important to see the damage and the repair. fergus mccaffrey gallery opens in japan since founding his new york gallery in 2006, fergus mccaffrey has been instrumental in introducing postwar japanese art to a western audience. he talks about his deep attachment to japanese art and craft and his hopes for his new gallery in the heart of tokyo. true colours: helen beard, sadie laska and boo saville true colours, curated by damien hirst for his newport street gallery in london, shows works by helen beard, sadie laska and boo saville. we talked to the three artists about the works they have in the show. helen beard: interview helen beard’s striking and marvellously simplified, flat colour images, take you by surprise in a number of ways. the fresh colour forms pack a satisfying punch even before the viewer has undergone the gradual realisation that the paintings portray a varied range of sexual acts. catherine parsonage: ‘i wanted to break things apart, let everything be available to me’ the artist talks about how living in rome has changed her work, why she is so interested in bodily fluids, and the role that alcohol and desire play in her painting. manuel mathieu: ‘life experience sometimes forces you to see things that you wouldn’t otherwise have seen’ the haitian artist talks about coming to terms with his country’s turbulent history and some personal challenges, and why he doesn’t take the business of making art lightly. august sander: men without masks taken together, the portraits shown here, captured by the german photographer between 1910 and 1931, are a quiet revelation, a unique and emotive window into the collected lives of his countrymen and women in the interwar period. david cross: ‘art is what fills the gap between how the world is and how i’d love it to be’ a reader at the university of the arts london, cross talks about his struggle to persuade the university to cut ties with fossil fuel investments and his continuing efforts to bridge the gap between commerce and environmental ethics. joana vasconcelos: gateway vasconcelos’s solo show offers a riot of colour and texture in this highly personal, curated sculpture park, celebrating the duality – the glamour and the grind, the dreams and the heartbreak – that typifies women’s lives, on a monumen

URL analysis for studio-international.co.uk

http://www.studio-international.co.uk/index.php/vera-molnar-interview-computer-art-paris-mayor-gallery
http://www.studio-international.co.uk/index.php/jane-irish-interview-i-really-think-of-my-work-as-history-painting-anti-war-movement
http://www.studio-international.co.uk/index.php/contact-us
http://www.studio-international.co.uk/index.php/whitstable-biennale-2018-review-surreal-witty-full-of-surprises
http://www.studio-international.co.uk/index.php/fergus-mccaffrey-gallery-opens-in-japan-tokyo
http://www.studio-international.co.uk/index.php/sadie-laska-video-interview-true-colours-newport-street-gallery
http://www.studio-international.co.uk/index.php/celia-pym-interview
http://www.studio-international.co.uk/index.php/kerstin-bratsch-ruine-kaya-kovo-review-fondazione-memmo-rome
http://www.studio-international.co.uk/index.php/contemporary-chinese-works-on-paper-a-review-ipswich-art-gallery
http://www.studio-international.co.uk/index.php/katharina-grosse-prototypes-of-imagination-review-gagosian-london
http://www.studio-international.co.uk/index.php/callum-innes-byzantine-blue-delft-paris-review-ingleby-gallery-edinburgh
http://www.studio-international.co.uk/index.php/joana-vasconcelos-gateway-review-jupiter-artland
http://www.studio-international.co.uk/index.php/manuel-mathieu-interview-life-experience-sometimes-forces-you-to-see-things
http://www.studio-international.co.uk/index.php/thomas-cole-eden-to-empire-review-national-gallery-london
http://www.studio-international.co.uk/index.php/archive?show=3

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